By Paul Gordon
The inspiration of art's inherent relation to absolutely the, first explicitly rendered via Kant, is tested in significant works from 1790 to 1823. the 1st and final chapters, on Plato and Nietzsche respectively, take care of precursors and "post-cursors” of this concept. Gordon exhibits and seeks to reddress the shortcoming of recognition to this concept after Hegel, in addition to in modern reassessments of this era. Art because the Absolute might be of curiosity to scholars and students learning aesthetics from either a literary and philosophical perspective.
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Additional resources for Art as the Absolute: Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer
Art as the Absolute: Art's Relation to Metaphysics in Kant, Fichte, Schelling, Hegel, and Schopenhauer by Paul Gordon